Back to work, people

Production on “Dallas’s” third season begins today. There isn’t a lot of news to report, although insiders have dropped a few tidbits about what fans can expect when TNT begins televising the episodes next year. If you want to be surprised, stop reading here.

• Jenna Wade may return. The show’s writers are toying with bringing back Bobby’s first love, TV Guide reported last month. Said Executive Producer Cynthia Cidre: “It’s on our [planning] wall, and we’re thinking about it seriously.” Priscilla Presley, who played Jenna for five seasons on the original “Dallas,” stoked the speculation a few days later when she tweeted, “What do you think would happen if Jenna Wade returned to Dallas?”

• Cliff Barnes and Judith Ryland will return. Dallas Decoder has confirmed Ken Kercheval will be back as Cliff Barnes, but there’s no word on whether Audrey Landers will return as Afton Cooper. Meanwhile, during a recent Twitter exchange with “Dallas” writer Aaron Allen, fans expressed hope Judith Light’s character, Judith Ryland, will return in Season 3. Allen’s response: “Judith is back!”

• Good news for Linda Gray and Jordana Brewster. During another Twitter exchange with fans, Allen offered this nugget: “If you’re hoping for more Elena and Sue Ellen driven stories, you’ll LOVE season 3.” He also tweeted: “Bobby and Ann have kind of a slow burning story this year. It gets bigger in the second half.” (Sounds like a good time for Jenna to show up, no?)

• More new characters are on their way. Get ready to meet Nicholas, whom Showbiz411 describes as “a powerful billionaire businessman. Self-made. Rough childhood. Raised himself up by his bootstrap. He’s charming, sophisticated, smart, cunning.” Elsewhere, TV Guide’s William Keck tweeted about another newbie: Heather, whom he described as “a pretty tomboy ranch hand … who is attracted to bad boys.”

• New loves, old traditions. Christopher will get a new love interest, Jesse Metcalfe told “Access Hollywood” last week. (You don’t suppose it’s Heather, do you?) Meanwhile, Brenda Strong and Julie Gonzalo tweeted pictures of themselves and Emma Bell on horseback this week, leading fans to wonder if they’re preparing for an episode set at the Ewing Rodeo. Giddy up!

So when will fans get to see the Ewings back in action? TNT, which ordered 15 episodes, hasn’t announced a premiere date. One possibility: the show will begin in the winter and continue into the spring, then take a break and resume in the summer.

Let J.R. speak

During the first two seasons of TNT’s “Dallas,” the show’s regular cast members took turns delivering the “Previously on ‘Dallas’” voiceover that starts each episode. Longtime fan Joe Siegler has an idea: Why not use Larry Hagman’s voiceover exclusively, beginning with the third-season episodes?

As Siegler sees it, this would honor Hagman and ensure his presence remains in each episode. It would almost be like ol’ J.R. is watching over his family and bringing the audience up to speed on their doings each week.

This week, Siegler took to Twitter and ran his suggestion past a few cast members. Brenda Strong retweeted his message and added, “Great idea!” We agree. Make it happen, TNT.

Et cetera

• Don’t miss Dallas Divas Derby’s interview with Kenneth Larsen, a talented artist and “Dallas” enthusiast who recently tweeted terrific drawings of Hagman and Gray.

• This week, I’m asking fellow fans to choose their all-time favorite “Dallas” cliffhanger. Head over to Dallas Decoder’s Facebook page to weigh in.

• Like to discuss “Dallas”? If so, consider dropping by one of my weekly #DallasChats, held Monday nights at 9 Eastern on Twitter. You’ll have fun, I promise!

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Tweethearts

If you’re not following the stars of TNT’s “Dallas” on Twitter and Instagram, you’re missing some of the best sources of news about the show’s third season.

Since production began last week, cast members have been tweeting up a storm, even using their own Season 3 hashtag: #DallasS3. On the first day of filming, Patrick Duffy shared a picture of himself and Josh Henderson standing on a soundstage, which Duffy captioned, “First scene of the first episode of season #3!!” Last night, the social media feeds lit up with a shot of Henderson and Julie Gonzalo embracing in a barn. Besides highlighting the couple’s overall adorableness, the image also shows Henderson sporting what appears to be Larry Hagman’s famous J.R. wristwatch.

Indeed, the tweets offer a glimpse of the new looks that costume designer Rachel Sage Kunin has created for the third-season episodes, which are slated to debut in early 2014. On “Dallas’s” new Instagram feed, followers were treated to a shot of Jordana Brewster donning a fitted red dress, while Linda Gray tweeted a picture of herself looking runway-ready while standing on what looks like the show’s conference room set. (Study the image and you’ll also see a monitor displaying a “Ewing Global” logo. Will this be the name of the family’s company in Season 3?)

In another shot, Brenda Strong wears a turquoise necklace while joining Gray and Emma Bell on the Southfork patio. Meanwhile, it appears Christopher Ewing will have a beard next season, based on the images that Jesse Metcalfe has been sharing with his Twitter and Instagram followers. Could the facial hair signal a darker turn for Christopher? Perhaps more tweets will tell.

Give us the juice

Not all of the Season 3 teases are coming via social media. Last weekend, the Dallas Morning News caught up with Henderson at the real-life Cattle Baron’s Ball, where the actor declared, “Season 3 has the juice. It’s going to be the absolute juiciest.”

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Uncovered

TV Guide’s ace columnist, William Keck, delivered a must-read preview of “Dallas’s” third season earlier today. Now it’s time for fans to read between the lines and offer their wild guesses and crazy theories about what we might see when TNT begins televising the new episodes on Monday, February 24.

• One of Keck’s most intriguing tidbits: The new season will include a pregnancy. Almost any of the show’s leading ladies could become expectant mothers, but my money is on Emma (Emma Bell). Imagine the complications that would ensue if John Ross (Josh Henderson) impregnates his mistress! Pamela is also a possibility, although would the producers force Julie Gonzalo to wear a padded tummy for a second season in a row? One out-there contender: Suppose Ann (Brenda Strong) delivered a late-in-life bundle of joy to Bobby (Patrick Duffy)?

• The new season will also include a shooting, a death and a wedding, Keck reported. I have no idea which characters might get shot and/or die, but the nuptials seem easy to figure out: After John Ross and Pamela’s quickie wedding in Las Vegas at the end of Season 2, aren’t they due for a lavish Southfork ceremony?

• According to Keck, Christopher (Jesse Metcalfe), who sports a beard in the new cast portrait that accompanies the TV Guide article, will meet his new love interest Heather (AnnaLynne McCord) when he stumbles upon her fighting with her ranch hand ex-husband. Again, this is pure speculation, but a recent tweet from the set suggests Donny Boaz, who appeared last season as Bo, the ranch hand who supplied Emma will pain pills, will be back for Season 3. Could he be Heather’s ex?

• Keck tells us we’ll finally meet Joaquin, the mystery man Elena (Jordana Brewster) met in Mexico during the second-season finale. The article doesn’t mention who’ll play this role, but I wonder: Will Nicolas Trevino, the new character played by Juan Pablo Di Pace, turn out to be Joaquin?

Consider this: On April 23, a few days after TNT showed the finale, the Elena character tweeted, “Can’t wait to introduce you all to my uncle Joaquin. He’s quite a character. And a potentially powerful ally.” This tweet is no longer in the character’s feed. Could this mean the producers’ vision of Joaquin has evolved from someone who is older to someone younger like Di Pace?

• Sue Ellen (Linda Gray) will continue drinking in Season 3 after discovering John Ross is cheating on Pamela. According to Keck, “Sue Ellen’s struggle will climax in a midseason cliffhanger similar to one of the original series’ memorable season enders.” What could this mean? Is Sue Ellen going to wreck her car? Shoot someone? Make another movie?

• Keck reports Bobby might cheat on Ann, either with a “familiar face from the past (Priscilla Presley’s Jenna Wade?) or a lovely newcomer.” Nothing to add here, except this: !

• It looks like “Dallas” won’t forget Larry Hagman anytime soon. Showrunner Cynthia Cidre tells Keck, “We open with Bobby at the Ewing cemetery looking at the graves of J.R., Miss Ellie and Jock, saying, ‘I guess I’m the only one left now.’” The only question raised by this revelation: How many tissues will we need to get through that scene?

What do you make of the storylines previewed by TV Guide’s William Keck? Share your ideas in the comments section below.

TV Guide’s William Keck delivered another early Christmas present for “Dallas” fans today: a video that mixes snippets from the TNT show’s new season with clips from older episodes, all set to the tune of “We Wish You a Merry Christmas.”

The video begins on a warm-and-fuzzy note, with a voiceover from John Ross (Josh Henderson), who says, “Whatever battles we face from here on, we fight together.” We also hear Bobby (Patrick Duffy) declare, “The Barnes/Ewing feud is over,” and then Sue Ellen (Linda Gray) says, “We’ve all worked so well together since J.R. died. I’d like to see that truce continue.”

Of course, this is “Dallas,” so things quickly go downhill from there. The new scenes show Elena (Jordana Brewster) firing a gun at a shooting range and hitting a male-shaped target in, um, a very sensitive spot; an angry Christopher (Jesse Metcalfe) slamming his hand on a table; and Judith (Judith Light) hitting Harris (Mitch Pileggi) with a cane.

There are also new shots of John Ross and Christopher embracing in what appears to be the Southfork kitchen and workers erecting a “Ewing Global” sign in office space.

The older footage includes second-season shots of Pamela (Julie Gonzalo), Ann (Brenda Strong), Emma (Emma Bell), Drew (Kuno Becker) and Cliff (Ken Kercheval).

Watch for yourself and then share your thoughts below.

Who’ll it be?

It’s almost time to announce Dallas Decoder’s Person of the Year, a designation I give to the individual — or individuals — I feel made the most important contribution to the “Dallas” franchise during the past 12 months.

In 2012, I chose Larry Hagman for the inaugural honor in recognition of his work during TNT’s first season of “Dallas.” This year’s award may go to another actor or someone from behind the scenes, or it could go to a group of people. (It’s a lot like Time magazine’s version, although mine is much more prestigious, don’t you think?)

Contenders include the “Dallas” VIPs pictured above: Executive Producer Michael M. Robin, Linda Gray, Jesse Metcalfe, Brenda Strong, Executive Producer Cynthia Cidre, Patrick Duffy, Josh Henderson, Jordana Brewster and Julie Gonzalo.

Before I reveal my selection, I want to hear your choices. Share them in the comments section below, post them on Dallas Decoder’s Facebook page or tweet them to @DallasDecoder.

I’ll reveal Dallas Decoder’s Person of the Year for 2013 during my next #DallasChat on Monday, December 16. I hope to see you there.

No two “Dallas” episodes invite comparison as much as “Winds of Vengeance” and “Blame Game.” Both segments — which debuted in 1978 and 2013, respectively — depict armed intruders invading Southfork and holding the Ewings hostage. The two storylines play on common themes, including stubborn pride and misguided justice, but the episodes also demonstrate the distinctions between the original “Dallas” and its TNT sequel.

In “Winds of Vengeance,” the old show’s fourth episode, blue-collar Luther Frick discovers his wife Wanda spent the night in a Waco motel with a wealthy stranger from out of town: J.R. Ewing. Frick and Wanda’s brother, Payton Allen, track J.R. to Southfork, where they hold him, Ray and the Ewing women at gunpoint in the living room as a hurricane bears down outside. Frick believes J.R. raped Wanda, so he vows to get “justice” for himself by having sex with Sue Ellen while Allen sets his sights on Lucy. At the last minute, Jock and Bobby arrive, punch out Frick and Allen and send the creeps on their way.

In “Blame Game,” one of TNT’s second-season “Dallas” episodes, slimy oilman Vicente Cano, who went to jail after tangling with J.R. and John Ross, escapes and marches into Southfork with a band of armed thugs. Cano believes the Ewings owe him the methane technology that Christopher developed, and so Cano and his gang hold the family hostage in the living room while Christopher retrieves his methane prototype from the office. When he returns and hands over the equipment, Cano grabs Elena and begins to make his escape, but her brother Drew arrives at the last minute and shoots Cano while Bobby and John Ross overpower the rest of his gang.

There are plenty of similarities here, beginning with the motivations of the villains. When Frick and Allen pull their guns on the Ewings, J.R. assumes they’re robbers and tells them they can have all the cash in the family safe. “We ain’t no thieves. We don’t want your money,” Frick says. Cano, in the meantime, believes Christopher’s methane technology will be lucrative, but profit isn’t his primary goal. When he bursts into Southfork, he slaps John Ross and says, “Did you think you could get away with turning me into the authorities and painting me as the one with dishonor?”

The two episodes also show how the bad guys humiliate the Ewings by exposing their secrets. In “Winds of Vengeance,” when Frick announces J.R. raped Wanda, he turns to Sue Ellen and asks, “You like him any better now, knowing what a hotshot lover-boy he is?” Sue Ellen’s response — “Him?” — causes Allen to laugh uproariously. Something similar happens in “Blame Game” when Cano tries to intimidate Christopher by threatening Pamela, only to realize John Ross’s ex-fiancée Elena has become the object of Christopher’s affection. “You Ewing boys share after all. I love it!” Cano exclaims.

There are also quite a few differences between the episodes. The hostage situation in “Winds of Vengeance” unfolds slowly, giving the actors plenty of time to explore the mental trauma their characters are experiencing by being held against their will. Linda Gray steals the show with her gutsy performance in the scene where Frick forces Sue Ellen to sing for him, but there are also examples of the Ewing women resisting their captors. In one scene, Sue Ellen smacks Allen and tells him not to touch her. Later, Allen tries to make Pam dance with him, but she fights back and screams, “I’ll kill you!”

Contrast this with the hostage situation in “Blame Game,” which comes at the end of that episode and is interspersed with scenes from Ann’s trial. This gives the segment a faster pace overall, but it also robs the hostage sequences of the tense, psychological vibe that “Winds of Vengeance” mined so effectively. “Blame Game” also offers no scenes of the women fighting back, and if there are sexual undertones to the story, they’re only hinted at: When Cano grabs Elena and heads for the helicopter waiting outside, he says he’s taking her as “an insurance policy,” then adds: “Who knows? Maybe we have something in common.”

On the other hand, “Blame Game” shows the Ewings interacting with each other while their captors are holding them at gunpoint, which is something we really don’t see in “Winds of Vengeance.” In one exchange, Sue Ellen sits with Bobby and laments his rivalry with J.R., calling it “a vicious cycle that our sons seem destined to continue.”

She’s probably correct that John Ross and Christopher are fated to fight each other, but if the Ewings want to break one of their other vicious cycles — their penchant for being taken hostage — there’s a simple solution: Hire some security guards, for goodness sakes. I mean, these people can afford it, right?

‘Bravery’s Going to Get Your Dead, Junior’

injustice

In “Winds of Vengeance,” a first-season “Dallas” episode, J.R. and Ray (Larry Hagman, Steve Kanaly) sit in chairs while Sue Ellen (Linda Gray), Pam (Victoria Principal) and Lucy (Charlene Tilton) sit on the sofa and the gun-wielding Frick and Allen (Brian Dennehy, Cooper Huckabee) hover nearby.

LUCY: What are you going to do with us?

ALLEN: We were going to get up a softball game, but the weather. …

J.R.: Look, fellas. If you’re here for anything to do with justice.

FRICK: Shut up.

ALLEN: We’ll prove it. [Motions to Sue Ellen] This is your wife, right?

J.R.: Yes.

ALLEN: [Walks toward her] Pretty.

He reaches for her. She smacks him away.

SUE ELLEN: Don’t touch me.

J.R. tries to get up. Frick holds him place.

FRICK: [Snickering] Now bravery’s going to get you dead, Junior.

ALLEN: [To Ray] Hey, you. You! You married?

RAY: No.

ALLEN: That gives us a choice.

FRICK: [To J.R.] Hey, you know I’m married too, mister. [Kneels beside him] Yeah. My wife’s name is Wanda. You know her?

J.R.: [Sheepish] No, I don’t know any Wandas.

FRICK: Well, you got a short memory.

J.R.: I just can’t remember anybody by the name of Wanda.

ALLEN: She says she knows you pretty good.

FRICK: You know, Wanda didn’t come home last night. Now me and her brother here, we went looking for her. And guess where we found her this morning? We found her in this old motel room. Her and her friend Mary Lou.

J.R.: So?

FRICK: So she said she had been kidnapped, right off the main street by two guys last night. She said they took them up to this motel room. They got them drunk. And then they raped them.

J.R.: Well, what does that got to do with me?

ALLEN: You were kind enough to leave a business card.

J.R.: Well, now a lot of people have got my business card.

FRICK: [To Sue Ellen] Well, missus, what do you think of ol’ J.R. Ewing now? Huh? [Silence] Yeah. Yeah, maybe I’m doing you a favor, huh? [Shouting] Huh? You like him any better now knowing what a hotshot lover-boy he is?

SUE ELLEN: Him?

ALLEN: [Laughing] Somebody’s got to take care of the little lady. Looks like you don’t.

He kisses her. She screams and pushes him away as Allen laughs.

‘Your Beautiful Wife and Children Will Not Escape Unscathed’

Dishonor

In “Blame Game,” a second-season “Dallas” episode, Cano (Carlos Bernard) stands in the Southfork living room and speaks to Bobby and Christopher (Patrick Duffy, Jesse Metcalfe), who is held by one of Cano’s thugs. John Ross (Josh Henderson), Pamela (Julie Gonzalo), Elena (Jordana Brewster) and Sue Ellen (Linda Gray) are seated around the room, surrounded by other members of Cano’s gang.

CHRISTOPHER: What do you want, Cano?

CANO: Only what I was promised. You’re going to call Ewing Energies and you’re going to send all your employees home for the day. [The thug releases Christopher.] And once the place is empty, my friend here is going to accompany you to your office, where you’re going to retrieve the plans to your methane patent and prototype that I was promised. [Slaps his right-hand man on the back.] Now, if you are not back here within one hour, your beautiful wife and children will not escape unscathed. [Cano stands over Pamela and strokes her hair, then yanks her head back against him.]

JOHN ROSS: [Rises] Let her go! [A thug pulls him down.]

CANO: Well, your cousin has to defend your wife? Oh, wait a minute. [Laughs] You Ewing boys share after all. [Slaps his hands together] I love it! Well, since this clearly where your heart lies, you have one hour to bring me the prototype. [Holds a gun to Elena’s head]

How do you think “Winds of Vengeance” and “Blame Game” compare to each other? Share your comments below and read more “Dallas Parallels.”

Miss Proxy

Entertainment Weekly’s latest issue offers some new nuggets about “Dallas’s” third season. If you don’t like spoilers, stop reading now.

Here are two tidbits: Elena (Jordana Brewster) will become Cliff’s proxy at Ewing Global and the new season will include two shootings. You’ll recall TV Guide’s recent article reported the new season will include “a shooting.”

The report also includes quotes from Josh Henderson and showrunner Cynthia Cidre, who reveals Judith Light’s nickname on the set. I won’t give away anything more — your Dallas Decoder is a big believer in supporting great ink-on-paper publications like EW — but if the magazine posts the piece online, I’ll link to it here.

Besides, the article also includes a smoking hot publicity still of Jesse Metcalfe and AnnaLynne McCord — and that alone is worth the newsstand price.

You’ll find the story in EW’s winter TV preview, which is dated January 10 and features the cast of “Downton Abbey” on the cover. TNT will begin showing the new “Dallas” episodes on Monday, February 24.

Are you excited about “Dallas’s” third season? Share your thoughts in the comments section below and read more #DallasS3 news from Dallas Decoder.

On “Dallas,” J.R. and John Ross are the bad guys and Bobby and Christopher are the good guys, right? Not always.

During the original show’s sixth season, when Jock’s will pits J.R. and Bobby against each other in a contest for control of Ewing Oil, Bobby becomes obsessed with beating his oldest brother. Bobby’s preoccupation is rooted in his longstanding desire to please his daddy, but he also wants to ensure his newly adopted son Christopher doesn’t lose his share of the Ewing empire.

At one point, Bobby finds himself using J.R.’s own tricks against him when he hires a prostitute to frame George Hicks, a corrupt government official whom J.R. has bribed in a complicated scheme to get a leg up in the contest. Of course, this is Bobby Ewing we’re talking about, so his trickery ends up taking its toll on his conscience. After Hicks tells Bobby that he’s “just as dirty” as J.R., Bobby comes home to Pam and confesses his sins. Unfortunately for him, Pam isn’t very sympathetic. “You would do anything to beat J.R. Anything!” she screams.

Flash forward to 2013. When J.R. dies, Cliff tries to steal Christopher’s deal to fuel the city’s municipal fleet, prompting Christopher to break bad, just like Bobby did three decades earlier. Christopher frames Alison Jones, the government official in charge of the contract, by arranging for John Ross to seduce her while Bum secretly photographs the encounter. After Christopher confronts Alison with the incriminating pictures, he goes home and reveals his scheme to Elena, who is aghast to discover the man she loves has stooped to blackmail. “Is this how you keep peace in the family — by turning into John Ross?” she shouts.

This scene bears more than a passing resemblance to the earlier version with Bobby and Pam. Before Bobby confesses his sins to Pam, he knocks back a glass of booze, just like Christopher does at the beginning of his conversation with Elena. Both scenes also depict the women decrying her man’s loss of morality. (Pam: “The Bobby I love would rather be dead than blackmail Hicks or anybody else.” Elena: “Christopher, you’re the most decent man I know and now you’re blackmailing people.”) The two scenes are also staged similarly, with both couples conversing in the bedroom they share at Southfork.

There’s also a major difference between the two sequences: Although Bobby tries to justify his actions to Pam, it’s pretty clear he’s consumed with guilt — unlike Christopher, who seems rather boastful about his blackmail scheme. Perhaps this is because Christopher’s motivation differs from his father’s. While Bobby wants to win the contest because he sees victory as a means of honoring Jock and preserving his son’s inheritance, Christopher seems to see his victory as a form of self-validation. As he tells Elena, “I’m not going to apologize for winning.”

It’s also worth pointing out that neither Bobby nor Christopher are squeaky clean in the first place: During the original “Dallas’s” fourth season, Bobby turns the tables on Sally Bullock when she cooks up an insurance scam with J.R. Similarly, during the TNT show’s first season, when Christopher uncovers video of John Ross and Marta del Sol’s tryst, he tries to blackmail him into ratting out J.R.’s role in the plot to seize Southfork.

The question is: What happens next? After Bobby’s ventures into dark territory during the 1980s, he returns to the straight and narrow, with only a few detours in the ensuing years. (See “Master plan, J.R.’s”). Christopher, on the other hand, seems poised for an extended stay on the dark side — if the promos for the TNT show’s third season are any indication, that is.

‘You Would Do Anything to Beat J.R.’

Unsympathetic

In “Crash of ’83,” a sixth-season “Dallas” episode, a sullen Bobby (Patrick Duffy) enters his bedroom late at night and sits in a chair while Pam (Victoria Principal) reads in bed.

PAM: [Unsympathetic] You look terrible.

BOBBY: Nothing like a celebration to really depress me.

PAM: I don’t understand.

BOBBY: You know that guy, Hicks? On Donna’s commission? J.R. had him bought and paid for. And I pulled a little number on him.

PAM: [Concerned] What do you mean?

BOBBY: I got down in the mud, honey. Just like I said I could. I forced him to change his vote on the variance.

PAM: What did you do?

BOBBY: I blackmailed him. I feel so dirty. [Rests his head in his hand]

PAM: [Puts down her book, leans forward] What do you want from me? Sympathy? Because you’re not going to get it.

BOBBY: Pam, I don’t want your sympathy.

PAM: Oh, yes you do. You want me to slap your wrist and then reassure you that you’re still the same wonderful man underneath it all. Well, I’m not going to help you out. You can stay dirty.

BOBBY: You don’t understand.

PAM: Understand? I understand that you’re not the man I married! The Bobby I love would rather be dead than blackmail Hicks or anybody else, double-cross the cartel and force his own mother into court.

BOBBY: [Exasperated] There were reasons.

PAM: [Screaming] Reasons? There’s only one reason! You would do anything to beat J.R. and get the company. Anything!

‘Is This How You Keep Peace in the Family — By Turning Into John Ross?’

Unmoved

In “Ewings Unite!,” a second-season “Dallas” episode, Elena (Jordana Brewster) enters Christopher’s bedroom, where Christopher (Jesse Metcalfe) is seated at the foot of the bed, drinking.

ELENA: Hi. It’s a little early for a drink, isn’t it?

CHRISTOPHER: I’m celebrating.

ELENA: [She sits next to him, kisses him and grabs the drink. She takes a sip.] What are we celebrating?

CHRISTOPHER: Barnes Global got to the head of the DCT. He tried to undercut my deal. So we had John Ross do what John Ross does … and we got pictures. [Christopher takes back the drink.]

ELENA: [Concerned] What are you going to do with the pictures?

CHRISTOPHER: [Takes a sip, rises] I already did. Alison’s married, and her husband’s a state senator — a real family values guy. And once she saw what I had, she decided to see things my way. [Takes a sip]

ELENA: [Mortified] You blackmailed her.

CHRISTOPHER: I made her keep her word.

ELENA: This is why I wanted out of the company. [Rises, walks toward him] Christopher, you’re the most decent man I know and now you’re blackmailing people.

CHRISTOPHER: She brought it on herself.

ELENA: Is this how you keep peace in the family — by turning into John Ross?

CHRISTOPHER: I am not John Ross! OK? I know I crossed a line here.

ELENA: [Glances down] That’s what breaks my heart. You did it anyway.

CHRISTOPHER: You know why I did it? My uncle J.R., he did a lot of bad things in his life. But he knew how to win. And I’m not going to apologize for winning.

ELENA: I love you. But I will not be a part of this. I’m going into business with my brother to drill our land. You may not like it, but I hope you understand.

CHRISTOPHER: I love you too.

How do you feel when Bobby and Christopher break bad? Share your comments below and read more “Dallas Parallels.”

Three queens

You’re invited to join Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, February 3, from 9 to 10 p.m. Eastern time. The theme: “Pamela vs. Emma vs. Elena.”

New to #DallasChat? Here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, and so your answers should do the same. Everyone is also encouraged to include the show’s official hashtag, #DallasTNT, in their #DallasChat tweets.

Here’s a sample exchange:

Q1. Does Pamela, Emma or Elena have better business sense? #DallasTNT #DallasChat

A1. Emma. Did you see how she negotiated with Bo McCabe for the painkillers? She’s tough! #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This is one #DallasChat you won’t want to miss. See you tonight!

Ain’t over yet

It’s never too late to start watching “Dallas.” If you missed the original show and the first two seasons of TNT’s sequel series, fear not: This post will tell you everything you need to know before Season 3 begins on Monday, February 24. (*OK, this isn’t really everything that’s happened on “Dallas.” For that, you’ll have to keep reading Dallas Decoder every day.)

The Original Series (1978 to 1991)

In the beginning

Bobby Ewing (Patrick Duffy), the youngest son of a rich oil and cattle clan, marries Pam Barnes (Victoria Principal) and brings her home to Southfork, the Ewing ranch. This upsets everyone, especially Pam’s daddy Digger (David Wayne), who blames Bobby’s daddy Jock (Jim Davis) for stealing his sweetheart, Miss Ellie (Barbara Bel Geddes), and cheating him out of half of Ewing Oil. While Bobby’s devious brother J.R. (Larry Hagman) is building the family empire and catting around, J.R.’s neglected wife Sue Ellen (Linda Gray) becomes an alcoholic and has an affair with Cliff (Ken Kercheval), Pam’s vengeful brother. Later, J.R. and Sue Ellen have a son, John Ross, while Bobby and Pam adopt Christopher, the orphaned child of Sue Ellen’s sister Kristin Shepard (Mary Crosby) and sleazy Jeff Faraday (Art Hindle). Elsewhere, Ray Krebbs, Southfork’s foreman, discovers Jock is his daddy and marries savvy politico Donna Culver (Susan Howard), while Lucy (Charlene Tilton), the daughter of J.R. and Bobby’s middle brother Gary (Ted Shackelford) and his wife Valene (Joan Van Ark), gets engaged to everyone.

End of an era

More drama: Digger dies and so does Jock, leaving Ellie to hold the family together with help from second hubby Clayton Farlow (Howard Keel). Southfork burns down, but the Ewings rebuild it. Cliff hooks up with Afton Cooper (Audrey Landers), who gives birth to their daughter Pamela Rebecca, but Afton refuses to let Cliff near the child because of his fixation with destroying the Ewings. Cliff and Pam’s half-sister Katherine Wentworth (Morgan Brittany) arrives, becomes obsessed with Bobby and tries to kill him, then vanishes under a big hat. Sue Ellen beats the bottle and divorces J.R., while Pam has a bad dream, gets burned in a car crash and runs away. Bobby has an on-again, off-again romance with first love Jenna Wade (Priscilla Beaulieu Presley), who gives birth to their son Lucas and then marries newly divorced Ray. James (Sasha Mitchell), J.R.’s illegitimate son, shows up for a while and emulates the old man. Bobby marries April (Sheree J. Wilson), but she dies. J.R. marries Cally (Cathy Podewell), but she leaves. In the end, Cliff finally takes over Ewing Oil, leaving J.R. alone and suicidal.

Hurts so good

Best Episode: “Swan Song.” The eighth-season finale finds J.R. and Sue Ellen’s marriage on the rocks, unlike the vodka she’s secretly swilling in her bedroom.  Meanwhile, Bobby chooses Pam over Jenna, but crazy Katherine runs him over with her car. The episode ends with the Ewings bidding farewell to Bobby in a deathbed scene that’s so beautifully written and acted, you almost wish it wasn’t part of Pam’s dream. Almost.

Shot in the dark

J.R.’s Greatest Moment: Who shot J.R.? Sure, taking a couple of slugs to the gut is no fun for our hero, but at least he makes billions of dollars in a risky offshore oil deal before he’s gunned down. Oh, and in case you didn’t hear, J.R.’s assailant turns out to be Kristin, his sister-in-law/ex-secretary/ex-mistress, who’s revealed as the shooter in one of the most-watched broadcasts in television history. (Props to Sue Ellen, who figures it all out.)

TNT Season 1 (2012)

When cousins clash

J.R. emerges from a nursing home and tricks Bobby into selling him Southfork so he can tap the ocean of oil flowing beneath it. Like their fathers, John Ross and Christopher (Josh Henderson, Jesse Metcalfe) butt heads, except their rivalry has an added twist: John Ross has fallen for Elena Ramos (Jordana Brewster), who was Christopher’s childhood sweetheart. Christopher marries Rebecca Sutter (Julie Gonzalo), unaware that she’s the daughter of Cliff, who is now the gazillionaire owner of Barnes Global and still hell-bent on destroying the Ewings. Rebecca kills her lover Tommy Sutter (Callard Harris) in self-defense and has Cliff’s henchman Frank Ashkani (Faran Tahir) dispose of the body. Meanwhile, Sue Ellen runs for governor; Bobby’s new wife Ann (Brenda Strong) feels threatened by ex-husband Harris Ryland (Mitch Pileggi), who knows she’s harboring a dark secret; and John Ross, Christopher and Elena form a company, Ewing Energies, but the partnership is threatened when Elena breaks her engagement to John Ross and reunites with Christopher, who dumps the pregnant Rebecca.

Bad does good

Best Episode: “Family Business.” In one of Hagman’s most poignant performances, J.R. learns Bobby is secretly battling cancer and returns Southfork to him, ending the season-long war for the ranch. Later, in a chill-inducing musical montage (set to Johnny Cash’s “The Man Comes Around”), poor Bobby suffers a seizure and Rebecca shoots Tommy, splattering blood over her unborn twins’ stuffed animals. Hmmm. Foreshadow, much?

Pass the torch

J.R.’s Greatest Moment: Who loves J.R.? His son John Ross, who ends the season by gazing at the Dallas skyline with dear old dad and asking him to teach him “every dirty trick” he knows so he can push Christopher and Elena out of Ewing Energies. J.R. beams with pride and tells John Ross that he’s his son “from tip to tail.” Hey, J.R. may have given up the fight for Southfork, but he wasn’t giving up his devious ways — thank goodness.

TNT Season 2 (2013)

All about evil

Rebecca reveals she’s Pamela Rebecca Barnes and hooks up with John Ross. Ann shoots Harris after learning he kidnapped their daughter Emma when she was a baby and sent her to be raised by his control-freak mother, Judith (Judith Light). Ann gets probation, Harris recovers and Judith falls down the stairs. Frank takes the blame for Tommy’s death and kills himself at the request of Cliff, who causes Pamela’s miscarriage. When J.R. is murdered in Mexico, it appears Cliff is the killer, so Bobby, Christopher and newlyweds John Ross and Pamela plant evidence on Cliff to make sure he’s arrested. Oh, and Christopher also discovers Cliff covered up his mom’s death. Elsewhere, John Ross somehow inherits half of Southfork; Sue Ellen loses the election but continues to tangle with Governor McConaughey (Steven Weber); Emma (Emma Bell) sleeps with Elena’s ne’er-do-well brother Drew (Kuno Becker), becomes John Ross’s mistress and turns Harris in to the cops for drug trafficking; and when Christopher dumps Elena, jailbird Cliff asks her to become his proxy at Barnes Global, which the Ewings now control.

Mourning glory

Best Episode: “J.R.’s Masterpiece.” Our hero is laid to rest in an instant-classic hour that brings back several stars from the original series. The highlight: On the night before J.R.’s burial, Sue Ellen takes a heartbreaking tumble off the wagon, then delivers a mesmerizing eulogy for the man she calls “the love of my life.” Can someone please explain how Linda Gray didn’t win an Emmy for this performance?

Only you

J.R.’s Greatest Moment: Who killed J.R.? J.R. did, of course. It turns out he was dying of cancer and arranged his own death so Cliff could be framed for the crime, thus ending the Barnes-Ewing feud … for about 2 minutes, at least. Only a handful of people know the truth, including Bobby, J.R.’s loyal private eye Bum (Kevin Page), Christopher and John Ross, who gets it right when he says, “The only person who could take down J.R. … was J.R.”

What are your favorite “Dallas” memories? What do you want to see happen in Season 3? Share your thoughts in the comments section below.

If Christopher’s search for Pam on TNT’s “Dallas” reminded you of Pam’s search for Rebecca on the original series, you’re not alone. There are several similarities between the two storylines — and also one big difference, reminding us how history never repeats itself exactly, even on “Dallas.”

This one is kind of complicated, so let’s take it from the top. Pam grew up believing her mother, Rebecca Barnes, died when she and her brother Cliff were children. Many years later, when Pam and Cliff’s daddy Digger died, Pam realized there was no record of Rebecca’s demise, so she hired private eye John Mackey to find out what happened to her mother. Pam was shocked when Mackey told her Rebecca was still alive; according to his investigation, when Pam and Cliff were kids, Rebecca ran away, changed her name to Rebecca Burke and married Houston industrialist Herbert Wentworth. Pam went to the Wentworth mansion to confront Rebecca, who initially denied that she was Pam’s mom. Eventually, Rebecca fessed up — it seems she abandoned her family because she was miserable being married to Digger — and Pam forgave her.

History began to repeat itself when Victoria Principal left “Dallas” in 1987. Despite the pain Rebecca’s abandonment caused Pam, the writers explained Pam’s departure by having her leave Bobby and Christopher after she was badly burned in a car accident. One year later, the producers brought Pam back for a single scene — this time played by Margaret Michaels — when Cliff tracked her down in Houston and begged her to come home. Pam rejected Cliff’s invitation, explaining that she had moved on with her life. Only after Cliff left the room did the audience learn the truth: Pam only had months to live and wanted to spare Bobby, Christopher and Cliff the pain of having to watch her die. Who knew Pam was such a martyr?

Of course, the audience never saw Pam die, so fans like me spent years clinging to the hope that Principal would one day reprise the role. Finally, the second season of TNT’s “Dallas” seemed to lay the groundwork for the second coming of Pam Ewing — and in a nice touch, the storyline echoed the past. Consider: Digger’s death prompted Pam to embark on her search for Rebecca. Thirty-three years later, Christopher began his hunt for Pam after another death in the family: the murder of his Uncle J.R., who was shot and killed while trying to track down Pam, hoping to persuade her to help stop Cliff’s war against the Ewings.

This is where the similarities begin to mount: Christopher, picking up where J.R.’s search left off, discovered Pam had changed her name to Patricia Barrett — just like Pam learned the presumed-dead Rebecca Barnes had adopted the identity of Rebecca Burke. Meanwhile, Christopher’s obsession with finding Pam started to strain his relationship with his fiancée Elena, who was distracted by her brother Drew’s role in the Ewing Energies rig explosion. It wasn’t unlike the situation Pam once found herself in, when her preoccupation with finding Rebecca took its toll on her marriage to Bobby, who was distracted by his brother J.R.’s role in the Ewing 23 explosion.

More parallels: In the TNT episode “Guilt by Association,” Christopher sat in a car and watched the Zurich home where Pam supposedly lived; the shot was reminiscent of the scene in the classic episode “The Prodigal Mother” where Pam and Mackey (Richard Herd) staked out Rebecca’s Houston residence. Also: Christopher learned Pam had married her plastic surgeon, David Gordon, just like Rebecca had wed Herbert Wentworth. And when Christopher rushed into the Gordon home to confront Pam, he was crushed to hear the good doctor say his wife didn’t want to see her son — just like Pam was devastated when she entered the Wentworth mansion and Rebecca rejected her.

This brings us to the point where the two storylines diverge. On the original show, after Rebecca denied Pam, she felt guilty and went to see her daughter in Dallas, where the two women sat on a park bench and Rebecca tearfully told Pam that she was, in fact, her mother. Poor Christopher never got a park-bench scene on the TNT series. Instead, he learned an uglier truth: Cliff had paid Gordon to lie and say Pam had changed her name and married Gordon because as long as everyone believed Pam was alive, Christopher couldn’t inherit her shares of Barnes Global. Who knew Cliff was such a monster?

Christopher’s search concluded on a heartbreaking note, but it’s probably the only ending that makes sense. Principal has made it clear she isn’t interested in playing Pam again — and recasting the part was out of the question since “Dallas” fans don’t have a history of welcoming new performers in iconic roles. (See “Reed, Donna”) Besides, even if Principal was willing to return, how could the show have justified Pam’s decision to stay away from her family for more than 25 years? Please don’t tell me Katherine has kept her locked up in a dungeon all this time.

As far as I’m concerned, TNT showrunner Cynthia Cidre fixed one of the old “Dallas’s” biggest blunders — the ham-handed writing surrounding Principal’s 1987 exit — and redeemed Pam by revealing that she was, in fact, trying to come home to Bobby and Christopher when she died. It’s sad, I know. But at least we have closure. How often does that happen on “Dallas”?

‘I Want to See Her’

Calm?

In “The Prodigal Mother,” a fourth-season “Dallas” episode, Pam (Victoria Principal) walks briskly into her bedroom, followed by Bobby (Patrick Duffy).

BOBBY: Honey, you’re all wound up. You hardly touched your dinner. Don’t leave tonight. Wait till morning.

PAM: Bobby, I’ve waited all my life to see this woman. [Retrieves a suitcase from the closet, sets it on the bed, unzips it]

BOBBY: Well, it would be better for her if you saw her when you were calmer. And what if Mackey made a mistake? And even if he didn’t, she might not be the kind of woman that you think she is.

PAM: I don’t care what kind of woman she is. My mother’s alive. I want to see her.

BOBBY: I just wish I could go with you.

PAM: Well, I’m sure the airline would sell you a ticket. [Begins packing]

BOBBY: Honey, I can’t leave now. You know that. Not with the wells still on fire. I’ve got Scotty Hawthorne flying in here with a crack fire-shooting crew. There’s too much going on for me to leave.

PAM: There always is lately.

BOBBY: Now wait a minute. You know what Ewing 23 means to us.

PAM: Means to you, not to us.

BOBBY: Honey, I have to be here to make sure that nothing else goes wrong.

PAM: Look, Bobby, I understand. I don’t want to burden you with my problems, okay?

BOBBY: Will you be home by Wednesday?

PAM: Probably. Why?

BOBBY: It’s this fundraising thing for Dave Culver. Daddy would like us to be there.

PAM: Oh, well. I’ll be home then. I wouldn’t want to disappoint your family.

‘All I Want From Her Now Are Her Shares’

Ready?

In “Guilt By Association,” Christopher (Jesse Metcalfe) enters his hotel room as Elena (Jordana Brewster) is ending a phone call to Drew.

CHRISTOPHER: Hey.

ELENA: [Begins unpacking] Hey.

CHRISTOPHER: Who were you talking to?

ELENA: Oh, it was my mom. She wanted to make sure we landed safely. How’d it go?

CHRISTOPHER: My mother’s bank account is registered to her home address, a man by the name of David Gordon. Apparently, he’s an American. Used to be a plastic surgeon.

ELENA: Do you think Pamela lives there?

CHRISTOPHER: There’s only one way to find out. I’m headed over now. [Puts on his coat]

ELENA: Christopher, are you sure you’re prepared for this? Because if there’s anything —

CHRISTOPHER: I’m fine. [Turns away, looks out the window]

ELENA: You haven’t seen your mother in over 25 years. You must be feeling something.

CHRISTOPHER: [Turns toward her] Actually, I’m not. Because the woman I’m about to see ceased to be my mother the day she abandoned me.

ELENA: You keep saying that.

CHRISTOPHER: Because it’s the truth.

ELENA: But after all this time, don’t you want an explanation?

CHRISTOPHER: All I want from her now are her shares so I can take down Cliff. [Grabs his bag] Wish me luck.

ELENA: Good luck. [Kisses him goodbye]

How do you feel about Pam’s search for Rebecca and Christopher’s search for Pam? Share your comments below and read more “Dallas Parallels.”

They’re here

“Dallas’s” second season arrives on DVD today, and not a moment too soon. Fans now have less than two weeks to catch up with the Ewings before TNT begins televising Season 3 on Monday, February 24. It’s a good thing many of us have a long weekend coming up. We’re going to need it.

The four-disc set, which sells for $39.98, includes all 15 second-season episodes, along with lots of extras. The highlights:

• An extended version of “J.R.’s Masterpiece.” The instant-classic funeral episode offers about six minutes of extra footage, including Ann’s eulogy, which is based on a conversation Brenda Strong had with Larry Hagman before he died.

The latter nugget is one of the tidbits you’ll hear from executive producers Cynthia Cidre and Michael M. Robin on the audio commentary. Other revelations: Cidre and Patrick Duffy initially believed Bobby shouldn’t speak at the funeral, and the scene where the Ewings arrive in Nuevo Laredo to retrieve J.R.’s body was filmed at the Fort Worth stockyards.

• More than 15 deleted scenes. In one sequence, Bobby comes onto the Southfork patio and finds J.R. listening to his ex-wife being interviewed on the radio. Says J.R.: “You just missed it, Bob. Sue Ellen called me a philanderer — on the radio. I’m not saying I don’t deserve it. I’m just surprised she didn’t used a dirtier word.” You’ll also see Ann and Bobby discuss Christopher’s search for Pam. “I think that sometimes the past is best left alone. … I’d just hate for Pam to cause you or Christopher any more pain,” Ann says.

• Cast interviews. The cast’s panel discussion at last year’s Paley Fest television festival is included, along with a feature where the actors recall working with Hagman. (Robin’s tribute is especially moving.) Also included: an interview that Hagman recorded around the time the new “Dallas” debuted in 2012. In a particularly poignant moment, he praises his new co-stars and says, “We’ve got four wonderful young actors that are going to drag me through another 13 years. At least I hope to hell they will.”

As if the DVD isn’t enough, TNT also announced plans yesterday to televise every episode from “Dallas’s” first two years before Season 3 begins. The 25-hour marathon starts Sunday, February 23, at 8 p.m.

You dirty boy

Presenting Mr. Henderson

TNT set hearts aflutter last week when it shared sexy shots of Elena (Jordana Brewster), Pamela (Julie Gonzalo), John Ross (Josh Henderson) and Christopher (Jesse Metcalfe) on Facebook and Twitter and asked “Dallas” fans which character should be the “face” of the show’s third-season advertising campaign.

The winner: John Ross, whose image received 31,000 “likes” on Facebook and 360 “favorites” on Twitter. Something tells me his daddy would be awfully proud.

I’ve posted all four images on Dallas Decoder’s Facebook and Pinterest pages. Which one do you like best?

Look Who’s Talking

The “Dallas” cast will soon be making the talk-show rounds to promote the third-season premiere. Last week, the folks who operate Linda Gray’s Facebook page announced she’ll appear soon on NBC’s “Today,” CNN’s “Piers Morgan Tonight,” Bravo’s “Watch What Happens Live” and Katie Couric’s syndicated show.

Of course, if you can’t wait to hear the scoop on “Dallas,” check out the highlights from Gray’s recent conversation with Dallas Decoder and other bloggers.

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Welcome back, darlins

Who misses J.R.? We all do, but the third season of TNT’s “Dallas” still manages to be fun, freewheeling television — even if our beloved Larry Hagman is no longer there to breathe life into his most famous character. Watching next week’s season premiere is a little like attending a family reunion after the loss of a favorite uncle. You can’t help but wish the old guy was still around, but isn’t it nice to see everyone else again?

Besides, it’s not like J.R. is gone altogether. His memory looms large in Season 3’s first two episodes. Some examples: John Ross inherits his daddy’s Southfork-sized belt buckle and hires contractors to renovate the house using blueprints J.R. commissioned before his death. Bobby, once again at odds with his ambitious nephew, growls that John Ross isn’t “half the man” J.R. was. Bum, the Ewings’ go-to private eye who now doubles as John Ross’s conscience, urges him to “grow into your father’s greatness, not his weakness.” There’s even a much-improved painting of J.R. hanging in the Ewing offices, allowing Hagman’s visage to peer over the shoulders of the other actors as they move around the set.

With so many verbal and visual references to J.R., isn’t the show just reminding us that this franchise has lost its marquee player? Yes, but since most of us can’t tune into “Dallas” without thinking about Hagman anyway, the producers might as well acknowledge the ghost in the room. Besides, when your franchise is built on a character as endlessly fascinating as J.R. Ewing, why not use him to pull everyone’s strings from the great beyond?

That’s why “The Return,” the third-season premiere, resets the “Dallas” chessboard, J.R.-style. The episode — penned by Cynthia Cidre and Robert Rovner and directed by Steve Robin — picks up 12 hours after last year’s finale, when we learned J.R. was dying of cancer and masterminded his own “murder” so archenemy Cliff Barnes could be framed for the crime, thus ending the Barnes/Ewing feud. (Ha!) The finale also positioned John Ross as J.R.’s heir in every way, and so at the beginning of “The Return,” we learn why the young newlywed went to that hotel room to cheat with Emma, who appears to have traded her pill habit for an addiction to risky encounters with John Ross.

We’ll also hear how John Ross justifies the fling to Kevin Page’s Bum; his excuse will sound familiar to longtime “Dallas” fans who remember how J.R. used to rationalize his cheating on Sue Ellen. This storyline has upset a lot of fans of the John Ross/Pamela pairing, but it allows Josh Henderson to display the sly charisma that makes him almost as much fun to watch as Hagman was in his heyday. And even though John Ross is a cheat, we can’t help but feel charmed by his relationship with Julie Gonzalo’s Pamela, whose smoldering gaze makes her the ideal match for the oh-so-suave Henderson. Let’s acknowledge something else too: As much as we despise Emma, there’s no denying that Emma Bell is terrific in this role. Not since Mary Crosby’s Kristin have “Dallas” viewers had a vixen who’s so much fun to hate.

During last year’s execution of the Ewings’ “master plan” against Cliff, almost all of the characters got in touch with their inner J.R., but Season 3 finds the good guys returning to familiar terrain. Patrick Duffy’s Bobby slides back into his role as the heroic guardian of Southfork traditions, while Jesse Metcalfe’s Christopher gets a refreshingly angst-free romance with Heather, a new ranch hand. This role is played with equal parts spunk and sex appeal by AnnaLynne McCord, who was the best part of the CW’s “90210” and makes a welcome addition to “Dallas,” a far better revival.

(Oh, and even though “The Return” begins 12 hours after Season 2 ended, Christopher now sports a face full of scruff. How did he grow a thick beard in a half-day? It’s probably better not to ask. Let’s consider it this era’s version of Sue Ellen’s hair, which magically shortened itself between seasons in the early 1980s, even though mere minutes had passed on screen.)

“The Return” also recasts Elena, once this show’s romantic heroine, into a shrewd schemer out for revenge — or as she calls it, “justice” — after Cliff revealed J.R. once stole oil-rich land from her father, just like Jock supposedly cheated Digger out of half the Ewing fortune. This might seem like a thin premise to extend the Barnes/Ewing feud, but it gives the underappreciated Jordana Brewster something to do besides moon over Henderson and Metcalfe’s characters. Cliff and Elena’s unlikely alliance also includes Nicolas Treviño, a dashing young billionaire played by Juan Pablo Di Pace, another strong addition to this ensemble.

Now, I know what you’re thinking: What about Sue Ellen? It’s no secret Linda Gray’s character is once again headed for rock bottom this season, although she goes nowhere near a drop of booze in “The Return.” Some fans hate to see Sue Ellen drinking again; I’m not wild about the idea either, but I have no doubt Gray will deliver another knockout performance, just like she did last year. She’s Hagman’s truest heir in a lot of ways, including this one: Like him, Gray can say more with an arched eyebrow or a wry smile than most actors can with a script full of dialogue. She exudes Old Hollywood star power, and whether Sue Ellen is drunk or sober, Gray always delivers riveting television.

“Dallas” fans also want to know about a couple of other favorites, including Brenda Strong’s Ann and her dastardly ex-husband Harris, played to menacing perfection by Mitch Pileggi. Regarding them, I’ll only say this: Just because you haven’t read much about their characters in “Dallas’s” pre-premiere publicity doesn’t mean they have nothing to do in the first two episodes. I also don’t want to give anything away about Judith Light’s character Judith Ryland, except to say her return in the season’s second hour, “Trust Me,” is a hoot.

That episode, written by Bruce Rasmussen and directed by Millicent Shelton, features a Ewing family gathering that showcases the brilliance of costume designer Rachel Sage Kunin, who never fails to impress, and hairdresser Charles Yusko, whose contributions to the success of this series shouldn’t be overlooked. You’ll also want to watch “Trust Me” to see the long-awaited reunion between two characters who had a charming scene last year, along with one of the most audacious moments I’ve ever seen on “Dallas” — or any other show, for that matter.

Most importantly, the episode ends with a shock that rocks two characters and will make you reconsider everything you think you know about a third. It’s a twist you’ll never see coming — and another reason this show remains so much fun, even without the man who got the party started.

“Dallas’s” third season begins Monday, February 24, at 9 p.m. Eastern on TNT. Are you excited? Share your thoughts in the comments section below.

Linda Gray and Andy Harmon hit the red carpet

Drink up

The stars of “Dallas” came together last night for a party to preview the third season’s first episode — along with the show’s new three-way split-screen title sequence — and to launch the J.R. Ewing Bourbon.

That’s right. You can now take a shot of J.R. (or better yet, a whole glassful).

The bourbon, inspired by Larry Hagman’s famous character, will come in bottles that feature a screen-printed image of Southfork and a wooden stopper. The bourbon will sell for about $34.95 a bottle and hit store shelves beginning in late March.

Initially, the bourbon will be sold in 14 states in south and Midwest, with plans to expand nationally by June and internationally by the end of the year.

Here’s how the Southfork Bottling Company, the new company behind the bourbon, describes the product in its news release:

“J.R. Ewing Bourbon is well balanced and possesses a maturity that adds to its complexity. The nose is classic and slightly fruity, with notes of vanilla, oak sweetness and a touch of orange. The taste profile is surprisingly mild, yet crisp, and exhibits a lightly spicy/honey taste that lingers on the palate.”

Sounds like J.R. has a product worthy of his name. In a statement, Andy Harmon, the bottling company’s co-founder, said the bourbon’s quality reflects “J.R.’s thirst for the best in life. … [T]he new brand really pays tribute to the character with whom everyone around the world is familiar.”

Among the bold-faced names attending the launch party: Emma Bell, Marlene Forte, Juan Pablo Di Pace, Julie Gonzalo, Linda Gray, Jesse Metcalfe and Mitch Pileggi.

The Ewings Take Manhattan

Talk about an oil slick

While we’re waiting to fill up with J.R.’s bourbon, we can all head to New York City to fill up with the Ewings’ gasoline.

A real-life Ewing Energies gas station will open somewhere in Manhattan on Monday, February 24, the day “Dallas’s” third season begins. John Ross (Josh Henderson) will announce the precise location in a video that’ll be posted Monday morning on the show’s Facebook page.

The stunt comes courtesy of Grey New York, which handles marketing for the show. To tout the opening, there’ll be radio spots, billboards and branded oil trucks and a sweepstakes to win “Black Gold Card,” Advertising Age reports.

New Yorkers can expect the Ewings to undercut the competition, just like J.R. once did on the original show. How low will prices go? As the Wall Street Journal points out, the national average price for a gallon of gas this week is $3.38. This compares to 62 cents a gallon when the original “Dallas” debuted in 1978 and 86 cents in 1980, the year J.R. was shot.

Big D, Big Apple

J.R. Takes Manhattan Too

In case you missed it: The new J.R. Ewing action figure from Figures Toy Company was recently spotted around Manhattan, where he checked out the billboards for “Dallas’s” new season featuring sexy shots of Henderson, Jordana Brewster, Julie Gonzalo and Jesse Metcalfe.

Visit Dallas Decoder’s Facebook page to see more shots like the one shown here.

Special thanks to Dallas Decoder’s better half, Cook In/Dine Out maestro Andrew, for serving as the hand model for these pictures. Poor Andrew’s hands are still thawing out.

The Reviews Are In

The reviews for “Dallas’s” third-season premiere are beginning to roll in, but isn’t yesterday’s write-up from yours truly the only one that really matters? In case you missed it, be sure to also check out our interview this week with Charles Yusko, the show’s hairstylist.

“Drill Bits,” a roundup of news and trivia about TNT’s “Dallas,” is published periodically.

Moving on

Here are the questions we’re pondering as we await tonight’s telecast of “The Return,” TNT’s third-season “Dallas” premiere:

• What’s John Ross up to? “Legacies,” the second-season finale, ended with John Ross (Josh Henderson) on top of the world: After marrying Pamela (Julie Gonzalo), he helped his family defeat Cliff (Ken Kercheval) and take over his company, Barnes Global. In the final scene, John Ross went to a posh hotel room, where Emma (Emma Bell) was waiting for him with an accordion folder full of documents. John Ross told Emma he was willing to “pay the price” for the folder as they began to undress each other. What’s John Ross after — and why is he willing to cheat on Pamela to get it?

• Will Elena accept Cliff’s offer? Also in the season finale, Cliff summoned Elena (Jordana Brewster) to Mexico, where he was jailed after the police arrested him for J.R.’s murder. Cliff showed Elena documents that suggested J.R. stole oil-rich land from her late father and invited her to become his proxy for the one-third of Barnes Global he still owns. Elena, who was nursing a broken heart after Christopher (Jesse Metcalfe) discovered she covered up Drew’s role in the Ewing Energies rig explosion and dumped her, seemed tempted by Cliff’s offer. Will she accept?

• Did Bobby tie up all the loose ends in J.R.’s “masterpiece”? When evidence emerged that Cliff killed J.R. (Larry Hagman), Pamela helped the Ewings plant evidence on her father to make sure he wouldn’t get away with murder. Later, Bobby (Patrick Duffy) revealed the truth to John Ross and Christopher: J.R. was dying of cancer and arranged for Bum (Kevin Page) to shoot him so Cliff could be framed, thus bringing an end to the Barnes-Ewing feud. How flawless is J.R.’s masterpiece?

• How’s Sue Ellen coping? It’s no secret Sue Ellen (Linda Gray) will still be drinking when Season 3 begins. Will her problem get worse before it gets better?

• What will happen to Harris? Before Emma swiped the accordion folder and shared it with John Ross, she blew the whistle on her father, who was arrested for drug trafficking. How is Harris (Mitch Pileggi) getting along in jail? What will happen to his drug trafficking operation without him? And while we’re on the subject of the Rylands, whatever became of Judith (Judith Light), whom Harris sent to “rehab” after she threatened to take control of their family’s company, Ryland Transport, before tumbling down the stairs?

• Who is Joaquin? After the Ewings discovered Cliff and Harris blackmailed Drew (Kuno Becker) into blowing up the rig, he went on the run. Elena eventually caught up with her brother and gave him money and a cell phone, telling him to “call Joaquin” as soon as he got to Mexico. The last time we saw Drew, he was speeding away on his motorcycle. Later, after Cliff’s conversation with Elena, she took off too and wound up at a Mexican compound, where she told the guards she was there to see Joaquin. Who is this mystery man — and what’s his connection to the Ramoses?

• Who are the newcomers? “The Return” will introduce two new characters: Nicolas Treviño (Juan Pablo Di Pace), a suave billionaire who’ll spar with the Ewings, and Heather (AnnaLynne McCord), a ranch hand at Southfork. How will they figure into this season’s storylines?

• How’s life at Southfork? After J.R.’s death, John Ross inherited half of Southfork and moved in, putting him and Pamela under the same roof as Bobby, Ann (Brenda Strong) and Christopher. How’s the brood getting along? And how long until someone gets pushed into the swimming pool?

What “Dallas Burning Questions” are on your mind? Share your thoughts in the comments section below and watch “Dallas” tonight at 9 on TNT.

Welcome to the club, honey

Say what you will about Cliff Barnes (Ken Kercheval), but the man knows how to get women to spy on the Ewings for him. In “The Return,” TNT’s third-season “Dallas” opener, Elena Ramos (Jordana Brewster) becomes the latest gal to go undercover on Cliff’s behalf. Here’s a look at five others.

His kind of traitor

5. Julie Grey. When J.R. began taking his secretary/mistress Julie (Tina Louise) for granted, she got even by sneaking Cliff documents that proved the Ewings had bribed a state senator. Cliff exposed the Ewings and Julie left town, but she came back and pretty much did the same thing all over again — feeding J.R.’s secrets to Cliff. This time around, Julie wound up dead and Cliff wound up in jail, framed for her murder — courtesy of J.R., natch.

Reflections of a rat

4. Sly Lovegren. In an attempt to beat the Ewings at their own game, Cliff blackmailed Sly (Deborah Rennard), J.R.’s loyal secretary, into leaking him Ewing Oil secrets by threatening to have her brother’s parole denied if she didn’t cooperate. Sly reluctantly went along with the scheme — until J.R. caught wind and turned Sly into a double agent, using her to feed Cliff bad information that brought his company to the brink of disaster.

The shadow knows

3. Mandy Winger. Here we go again. When J.R.’s mistress Mandy (Deborah Shelton) suspected he was cheating on her — how could he! — she tried to get revenge by getting him to divulge Ewing Oil secrets, which she gave to Cliff. J.R. was wise to Mandy’s game, though, and turned the tables on her and Cliff. But poor J.R.: He seemed genuinely hurt by Mandy’s betrayal — which should’ve been our first clue this was all a dream.

Double spy

2. Pam Ewing. By the time Pam (Victoria Principal) remarried Bobby, she had become Cliff’s business partner. This put her in competition with J.R. and Bobby and made her life hell. Cliff didn’t help matters when he asked Pam to divulge which companies the Ewings wanted to acquire — and she did! J.R. would’ve been mad, except he used Pam to find out which companies Cliff wanted. Who knew she could be so valuable?

Daddy’s girl

1. Pamela Barnes. To destroy the Ewings once and for all, Cliff sent his daughter Pamela (Julie Gonzalo) to infiltrate the family by posing as “Rebecca Sutter.” She married Christopher — her own cousin! — and dutifully did Daddy’s bidding, eventually helping him gain control of Ewing Energies. And how did he repay her? By blowing up the Ewing Energies rig, causing her to lose her unborn babies. We can’t help but wonder: Elena, are you sure you want to do business with this guy?

What’s your favorite “Dallas” spy story? Share your thoughts in the comments section below and read more Dal-Lists.

They’re back

Here’s what happened in “The Return,” TNT’s third-season “Dallas” premiere:

• John Ross and Emma struck a deal. After their tryst in the hotel room, John Ross and Emma (Josh Henderson, Emma Bell) found Judith’s power of attorney, which makes Emma chief executive of Ryland Transport if Harris becomes incapacitated. “Nothing says incapacitated like a 20-year prison term,” John Ross said.

Emma agreed to give John Ross control of Ryland Transport’s drilling and cargo ships, which the newly renamed Ewing Global needs to bid on lucrative oil and methane leases in the Arctic. But Emma’s offer came with a price: She wants to continue sleeping with John Ross. He agreed — and not reluctantly.

• Elena and Cliff joined forces. Elena (Jordana Brewster) confirmed Cliff (Ken Kercheval) was telling the truth about J.R.’s scheme against her father and agreed to: a) serve as Cliff’s proxy at Ewing Global, and b) help him prove the Ewings framed him so she can gain leverage against the family. “I’m not thinking of this as revenge. I’m thinking of this as justice,” she said.

Elena kept her connection to Cliff a secret and took a job at Ewing Global; she also recruited Nicolas Treviño (Juan Pablo Di Pace), a childhood friend who is now a billionaire, to pretend he’s the proxy. Nicolas, who was known as Joaquin as a child, grew up alongside Elena and Drew and considered their father as his own. “We will get justice for your family — for our family,” Nicolas told her.

• John Ross and Bobby clashed — and clashed again. To finance Ewing Global’s Arctic venture, the family decided to sell the company’s consumer division. Not so fast, said Nicolas, who introduced himself to the Ewings as Cliff’s proxy and cited a state law that prevents companies from selling major assets without the blessing of a “supermajority” of owners.

Sue Ellen (Linda Gray) suggested the family should find dirt on Nicolas and get him to switch to their side, but John Ross had another idea: He wants to pay for the Arctic venture by drilling on Southfork. Bobby (Patrick Duffy) rejected the plan, pointing out that he and Gary still control the mineral rights. But John Ross had a trick up his sleeve: He revealed the oil below the ranch has risen to the shale formation, which means he can drill it because he has the “surface rights.”

To make matters worse, John Ross also started talking about remodeling Southfork, including adding — gasp! — an atrium, an elevator and an indoor pool.

• Harris went free. After being released from jail, Harris (Mitch Pileggi) ran into some shady dudes who took credit for bribing the judge so he could walk away a free man. The men told Harris if he doesn’t resume his drug shipments for the Mendez-Ocha cartel, they’ll make Emma wish she was dead. Yikes!

• Meanwhile, back at the ranch.… Elena apologized to the Ewings for concealing her brother’s involvement in the rig explosion. When Christopher asked her to forgive him for treating her harshly, she told him they should take more time to sort out their feelings for each other, although the expression on her face — and the fact that she’s now secretly colluding with Cliff — suggests she didn’t really mean it. If Elena changes her mind, she better do it fast since Christopher seemed taken with Heather (AnnaLynne McCord), a spirited ranch hand who doesn’t care much for Bo (Donny Boaz), the ranch hand/rodeo cowboy whom Emma tangled with last season.

• John Ross and Pamela got engaged — again. Elsewhere at Southfork, John Ross got down on one knee and gave Pamela (Julie Gonzalo) a “proper” marriage proposal, along with an engagement ring to rival the rock Sue Ellen used to sport. Pamela wasted no time planning her wedding with help from Ann (Brenda Strong), Sue Ellen — and Emma, who was as sweet as spun sugar to Pamela’s face while sexting her husband behind her back.

Later, John Ross — who now sports J.R.’s belt buckle, courtesy of Bum (Kevin Page) — snuck across the hall at Southfork and had another tryst with Emma. Afterward, as he was leaving the room, he ran into Sue Ellen, who didn’t seem to believe her son’s claim that he and Emma were just talking shop. Would you?

What did you think of “The Return”? Share your thoughts in the comments section below and look for Dallas Decoder’s critique later this week.

That smile

Now that “Dallas” fans know who killed J.R., we can turn our attention to a much trickier question: Who’ll be J.R.? We all realize Larry Hagman is irreplaceable, but we also understand TNT’s sequel series needs a character who can keep the plots — and on this show, that means the plottin’ and the schemin’ — moving forward the way J.R. did. Last year, the producers seemed to toy with several possible successors — even white-knight father/son duo Bobby and Christopher got in touch with their inner J.R.s — but in “The Return,” John Ross emerges as Daddy’s true heir. It’s the obvious choice. It’s also the smart one.

I’ve been a fan of Josh Henderson’s sly performance from the beginning, even comparing him to “Dallas’s” most famous alum, Brad Pitt, in my first review of the TNT series. Most of what I wrote then remains true: Henderson still has an effortless, seductive charm, and even when John Ross is up to no good, you still find him alluring. But it’s no longer accurate to call Henderson or his character “boyish,” as I did two years ago. Maybe it’s the fact that John Ross is now married and a big-shot oilman in his own right — or maybe it’s the fact that Henderson’s pecs have seemingly grown three cup sizes, as Entertainment Weekly cheekily pointed out last week — but John Ross is now much more man than boy.

Wisely, “The Return” wastes no time establishing him as “Dallas’s” new J.R., who turns out be a lot like the old one. John Ross frolics with his mistress in a hotel room, comes home and lies to his wife about his whereabouts (he says he was in Houston, buying her a “proper” engagement ring), sweet talks his mama when she frets about his ambition, clashes with Bobby over Southfork’s future (To remodel or not to remodel? To drill or not to drill?) and wheels and deals in the boardroom, where he enthusiastically declares Ewing Global is going to be “bigger than Exxon and BP combined.” (Shades of J.R.’s oft-repeated vow to make Ewing Oil the “biggest independent oil company in the state of Texas.”) John Ross even sports J.R.’s wristwatch and belt buckle, and even though the latter looks kind of big on him, is that so bad? I see it as a symbol of how carrying J.R.’s legacy will always be a burden for John Ross, no matter how muscular he gets.

What impresses me most about Henderson — in this episode and others — is how he evokes Hagman’s spirit without ever resorting to imitating the actor. Like Hagman, Henderson possesses one of the great smiles in television, but he uses it differently than the way Hagman used his. Whereas J.R.’s smile often concealed his intentions, John Ross’s lets us know what’s going on inside his head. In “The Return,” Henderson arches his eyebrow and smirks when he’s sparring with Patrick Duffy, but when John Ross is on bended knee proposing to Pamela, watch how the actor’s whole face lights up. This is a smile to melt your heart, reminding us that there’s a sensitive soul beneath all that bravado.

Of course, even though Henderson has become the new face of this franchise, “Dallas” remains a group effort, as “The Return” makes clear. This episode gives almost every member of the ensemble a nice moment or two, although special mention goes to Jordana Brewster, who is such a good actress, she makes Elena’s overnight transformation — literally — into a Ewing enemy seem believable, if not altogether reasonable. (Is Elena unaware of Cliff’s role in blackmailing Drew into blowing up the rig last season?) Brewster’s character has become the latest in a long line of “Dallas” heroines to do Cliff’s dirty work, and I love how the actress holds her own against Ken Kercheval, who is as electric as ever in Cliff’s jailhouse scenes.

I also applaud the introduction of Juan Pablo Di Pace, who makes one of the all-time great “Dallas” debuts when the oh-so-suave Nicolas Treviño sweeps into the Ewing Global boardroom and upsets the family’s apple cart. Treviño has the potential to become an altogether different kind of “Dallas” villain: richer than Jeremy Wendell and Carter McKay and every bit as calculating, but also a heck of a lot hotter. (No offense, William Smithers and George Kennedy.) I’ll never understand how the Ewings lack the “supermajority” they need to sell a division in their own company — just like the whole matter about the Southfork surface rights seems like a bunch of hooey — but let’s face it: “Dallas” has always existed in a universe where the legal realities bear little resemblance to our own.

Besides, I’d rather focus on the other ways in which “The Return” lives up to its title. This episode marks a return to many of the “Dallas” hallmarks that so many of us love, beginning with the revival of the classic three-way split-screen title sequence, which has received widespread acclaim from fans. Under Steve Robin’s direction, “The Return’s” pacing also feels a little more deliberate; there are more old-school, quiet scenes like the one where the women of Southfork sit around the patio and plan Pamela’s wedding; and there are more sequences set outdoors on the ranch, which cinematographer Rodney Charters always showcases in all of its high-definition, green-grass/blue-sky glory. No matter where the characters go on Southfork — whether it’s to the wood-chopping pile or to the “shale formation” where the cattle graze — Charters makes us feel like we’re right there with them.

I also appreciate how this episode’s script, written by co-executive producers Cynthia Cidre and Robert Rovner, is sprinkled with dialogue that pays homage to classic “Dallas” themes. One example: The tension between moving forward and clinging to old traditions has always been central to the “Dallas” mythology, which we see in Bobby and John Ross’s argument over remodeling Southfork. “It’s about time you learn to respect the past, boy,” Bobby says. John Ross’s cutting response: “The past is what holds us back, Uncle Bobby.” If I heard that line a season or two ago, I might worry it signaled this franchise was going to abandon its history, except the people in charge have long since demonstrated their commitment to preserving “Dallas’s” heritage, even if they sometimes play a little loose with the continuity.

Nothing demonstrates this better than all the references to J.R. in “The Return.” I counted at least 13 instances where he’s mentioned by name, and that doesn’t include lines like the one where Sue Ellen catches John Ross sneaking out of Emma’s bedroom and says, “What’s the matter, Mama? You look like you just seen a ghost.” There are also plenty of visual reminders: the wristwatch, the belt buckle, the gravestone and most importantly, the much-improved portrait hanging in the background at Ewing Global, which makes it seem like J.R. is always peering over someone’s shoulder.

Indeed, as tempting as it is to think of “Dallas’s” third season as the beginning of the post-Hagman era, is such a thing even possible? “The Return” keeps our hero’s memory alive, not that it was in any danger of fading in the first place.

Grade: B

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Look who’s lurking

‘THE RETURN’

Season 3, Episode 1

Telecast: February 24, 2014

Audience: 2.7 million viewers on February 24

Writers: Cynthia Cidre and Robert Rovner

Director: Steve Robin

Synopsis: Elena agrees to serve as Cliff’s proxy at the newly renamed Ewing Global, although she keeps her connection to him secret and recruits Nicolas Treviño, a childhood friend who is now a billionaire, to pretend he’s the proxy. Emma, Ryland Transport’s new chief executive, gives John Ross control of the company’s drilling and cargo ships so Ewing Global can tap oil and methane reserves in the Arctic. When Nicolas tries to scuttle the Arctic deal, John Ross suggests drilling on Southfork to finance the project, but Bobby disagrees. The Mendez-Ocha cartel bribes a judge to get Harris out of jail and threatens to kill Emma if Harris doesn’t resume his drug shipments. Christopher meets Heather, a spirited ranch hand.

Cast: Amber Bartlett (Jill), Emma Bell (Emma Ryland), Donny Boaz (Bo McCabe), Jordana Brewster (Elena Ramos), Juan Pablo Di Pace (Nicolas Treviño), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Ken Kercheval (Cliff Barnes), AnnaLynne McCord (Heather), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing)

“The Return” is available at DallasTNT.com and iTunes. Watch the episode and share your comments below.

“Dallas” delivers the sharpest dialogue on television. Here are the best sound bites from “The Return,” this week’s episode.

What are your favorite lines from “The Return”? Share them in the comments section below.

“Dallas’s” third-season opener, “The Return,” brought the Ewings back in style. My favorite look: the obi-belted color-block dress that Linda Gray wore in three scenes, including the family’s Arctic drilling strategy session inside the Ewing Global boardroom. Costume designer Rachel Sage Kunin created the dress, which evokes the ’70s chic looks that Sue Ellen sported during “Dallas’s” earliest years. What could be better for Gray, who hasn’t aged a day since then?

I also love the sleeveless, blue-and-black dress that Julie Gonzalo rocks in one of Pamela’s boardroom appearances, as well as Jordana Brewster’s dark-frame eyeglasses. Elena is hiding her true intentions from the Ewings, so why not complete the deception by hiding behind those sexy/smart spectacles? Speaking of cover-ups: Who doesn’t love Jesse Metcalfe’s beard? Even “Dallas” fans who prefer their men clean-shaven tell me they find Christopher’s scruff irresistible.

And then there’s J.R.’s belt buckle, which John Ross received in “The Return’s” most touching scene. I like this accessory because it helps keep alive Larry Hagman’s memory, but it also puts the audience on notice: We better all buckle up, because “Dallas” is going to take us on another wild ride this year.

What are your favorite looks in “The Return”? Share your thoughts in the comments section below.